00:00 Drum solo sets up the head
00:26 (A) Band enters playing the head in harmony
00:32 (A) Repeat of first eight bars of the head
00:37 (B) Middle eight bars or "bridge "
00:42 (A) Return to first eight bars to conclude the full chorus
00:48 Alto Sax solo, notice bop phrasing and driving walking bass. Each chorus uses the same chords as the head and bridge of the first chorus.
00:58 (B) section to the chorus
01:04 (A) return to the A section and maintains the double-time bop phrasing
01:10 Second chorus of alto sax solo, the double-time is dropped 
01:16 Double time resumes with long phrases that carry across the bridge and return to the last A of the AABA form
01:32 Third chorus of solo begins with a three note motive that is rythmically responded to by the drums
01:37 Double-time returns
01:43 Trills are played over the bridge
01:48 Final A of the sax solo
01:54 Trumpet solo (Wynton Marsalis), also three choruses, begins with sparse repeated notes
02:00 Three note motives in trumpet are duplicated in the drums
02:04 Bridge, the same motive is used to set up the double-time for the next section
02:10 Last A of this AABA solo chorus, with a relaxed but urgent double-time style
02:15 Second chorus, double-time gives way to a short motivic area but then again returns to the double-time phrasing 
02:37 Third chorus begins in the lower register and gives a quick reference to the head before the Marsalis shows his flexibility with quick changes in range.
02:47 The bridge begins with short punctuated notes.
02:59 Tenor sax solo, only two choruses.
03:19 Second chorus. Listen for the chord changes and accents in the rhythm section that were used in the original statement of the head
03:41 Piano solo begins motivically and works its way to double-time--again only two choruses
04:03 Second chorus, double-time gives way to motivic phrases and eventually to accented and syncopated chords
04:25 All the horn players play a single chorus in unison similar to the unison chorus used in the bop era
04:47 Drum solo
05:32 Head returns with the two A sections as in the very first chorus
05:43 (B) bridge
05:48 (A) return to last A
05:53 Slows down with an ending phrase
06:13 End
